{"id":124,"date":"2022-04-02T00:00:00","date_gmt":"2022-04-02T00:00:00","guid":{"rendered":"https:\/\/www.jorgschellekens.nl\/?p=124"},"modified":"2024-07-25T22:24:36","modified_gmt":"2024-07-25T22:24:36","slug":"tap-noir","status":"publish","type":"post","link":"https:\/\/www.jorgschellekens.nl\/?p=124","title":{"rendered":"Tap Noir"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Eraker &amp; Schellekens<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A piece for one dancer and three stroboscopes, connected through contact microphones and sensors. Imagined, developed and produced together with dancer \/ choreographer Janne Eraker. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>About<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">If tap dance still makes you think about musicals with Ginger Rogers and Fred Astaire, then Tap Noir will change that at breakneck speed. In a dark world, inspired by film noir and Japanese horror, a tap dancer plays an enigmatic installation of strobes and sensory soundscapes. A flood of optical illusions and alienating rhythms takes you on a surreal trip.<br><br>Tap Noir is the latest project by tap dancer \/ choreographer Janne Eraker (NO) and light and sound designer Jorg Schellekens (NL). They place the rhythm and vocabulary of tap in a context of exclusively stroboscopic light and electronic sound. The result is an evocative piece in a one of a kind shape.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Press<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;<em>&#8230;it feels as if someone is physically forcing my eyelids shut, and I lose control of my own body. Rarely has a dry factual warning about the use of stroboscopic light proved to be as relevant as here, because the performance Tap Noir is like a forty-five minute fever dream. I&#8217;m a little nauseous, and I love it.<\/em>&#8221; Eline Bjerkan, Scenekunst.no, 22 November 2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Credits<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Concept: Janne Eraker &amp; Jorg Schellekens<br>Tap dance: Helen Duffy \/ Janne Eraker (alternating)<br>Choreography: Janne Eraker<br>Light and sound design: Jorg Schellekens<br>Outside eye: Erik Kaiel<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Premi\u00e8re<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2 April 2020, Oslo Teatersenter (Oslo, NO)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>After the premi\u00e8re there were shows at Motel Moza\u00efque 2023, Rotterdam \/ Grusomhetens teater, Oslo \/ DanseFestival Barents, Hammerfest \/ RAS, Sandnes AND: Tap Noir is currently still available for touring!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eraker &amp; Schellekens A piece for one dancer and three stroboscopes, connected through contact microphones and sensors. Imagined, developed and produced together with dancer \/ choreographer Janne Eraker. About If tap dance still makes you think about musicals with Ginger Rogers and Fred Astaire, then Tap Noir will change that at breakneck speed. In a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":157,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,11,8],"tags":[15,31,26,18,32],"class_list":["post-124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-9","category-11","category-8","tag-dance","tag-janne-eraker","tag-light","tag-music","tag-tap"],"_links":{"self":[{"href":"https:\/\/www.jorgschellekens.nl\/index.php?rest_route=\/wp\/v2\/posts\/124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jorgschellekens.nl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jorgschellekens.nl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jorgschellekens.nl\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jorgschellekens.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=124"}],"version-history":[{"count":7,"href":"https:\/\/www.jorgschellekens.nl\/index.php?rest_route=\/wp\/v2\/posts\/124\/revisions"}],"predecessor-version":[{"id":331,"href":"https:\/\/www.jorgschellekens.nl\/index.php?rest_route=\/wp\/v2\/posts\/124\/revisions\/331"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jorgschellekens.nl\/index.php?rest_route=\/wp\/v2\/media\/157"}],"wp:attachment":[{"href":"https:\/\/www.jorgschellekens.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jorgschellekens.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jorgschellekens.nl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}